塞尔玛

剧情片英国2014

主演:大卫·奥伊罗,卡门·艾乔戈,蒂姆·罗斯,汤姆·威尔金森,吉奥瓦尼·瑞比西,亚历桑德罗·尼沃拉,小库珀·古丁,奥普拉·温弗瑞,科曼,迪伦·贝克,勒凯斯·斯坦菲尔德,肯特·法尔考,科瑞·雷诺兹,泰莎·汤普森

导演:艾娃·德约列

 剧照

塞尔玛 剧照 NO.1塞尔玛 剧照 NO.2塞尔玛 剧照 NO.3塞尔玛 剧照 NO.4塞尔玛 剧照 NO.5塞尔玛 剧照 NO.6塞尔玛 剧照 NO.13塞尔玛 剧照 NO.14塞尔玛 剧照 NO.15塞尔玛 剧照 NO.16塞尔玛 剧照 NO.17塞尔玛 剧照 NO.18塞尔玛 剧照 NO.19塞尔玛 剧照 NO.20
更新时间:2024-04-14 13:26

详细剧情

  历史传记题材电影《塞尔玛》由阿娃·杜威内执导,蒂姆·罗斯、大卫·奥伊罗、小库珀·古丁、汤姆·威尔金森主演,影片聚焦美国民权斗士马丁·路德·金1965年组织的“由塞尔玛向蒙哥马利进军”行动。

 长篇影评

 1 ) 影评

After watching the film, I was particularly(特别是) impressed by Martin Luther King, who was heavily punched(被击打) by white people when he first arrived in Selma. We may not have experienced racial discrimination (种族歧视)in our lives, but the inequality(不平等) and discrimination(歧视) of white people against black people shown in the film makes the audience outrage. As for Martin Luther King, I think he was great. He was not afraid of threats(威胁), nor did he give in to insults(侮辱). His speech was impassioned(慷慨激昂的) and inspiring(鼓舞人心的). Born man, who is no more than one noble(高贵), who is no less than one lowly. This movie is true and profound(深刻的), which makes me look forward to the world of freedom(自由) and equality(平等)forever. (暑假作业,请见谅)

 2 ) 《塞尔玛》是主旋律电影?

《塞尔玛》真的是一部“主旋律电影”吗?
在中国大陆的语境里,“主旋律电影”暗示该电影或多或少地有官方参与投资、制作和发行,又或者暗示该电影顺从甚至直接宣扬官方的意识形态。据我所知,美国政府并没有在前者有明显的行为,所以我将对后者的进行简单讨论。
诚然,马丁·路德·金早已成为美国官方历史中的一个正面形象,甚至还有一个以他命名的公众假期;毫无疑问,他是家喻户晓的“非暴力抗争”德谟克拉西斗士。问题是,很多人听到更多是“非暴力”的一面,而有意无意地忽略“抗争”;于是,当人们把金理解成一位宣扬和平的好人时似乎忘记了一点:“非暴力”是抗争的手段。为何轻视“抗争”的一面?当大家通过电影知道他抗争的对象是谁的时候,便应该清楚为何有人希望淡化“抗争”了。
稍有常识的人都知道,金并不是唯一一位非裔民权社运家;对历史有过思考的人也应该都知道,当官方不得不把这些非裔社运家写进历史的时候会作怎样的选择。
举另一个更有名的例子。金在1963年的华盛顿游行中讲到他做了的一个梦,但正史甚少提及的是,他在同一篇演说中还提到黑人这次游行到华盛顿是来兑现一张支票的,一张关于“生存权、自由权和追求幸福权”的支票,但美国政府一直都“没有足够的经费”来兑现。于是,当我们把这篇演说放在心灵鸡汤栏目时,是否应该思考如下问题:如果我们把该文章的题目改成“没有足够的经费”,那它是否还有同等的意义?我们为何会被引导去“梦”这一块而不是“经费”这一块?官方历史会希望你去记住哪一部分?
我们应当如何看待非裔的斗争历史?我经常会看到一种很有问题的表述:非裔能争取到权利是因为他们受到宪法保护。这样的表述在我看来是本末倒置。我们应该问:美国有宪法和修正案,为何非裔还需要作流血牺牲来争权?假设宪法和修正案真有根本解决问题的效力,那种族问题早应该在十九世纪七十年代就得到解决了;那时国会一连串地通过十三、十四和十五修正案,分别废除奴隶制、保障公民受到法律的同等保护以及不能因肤色而剥夺一名男性的投票权。正如历史所示,问题并没有得到解决。首先修正案存在很多漏洞让人钻空子,比如在投票方面,不同州可以在投票处设立各种表面上不打种族主义旗号的限制(如《塞尔玛》开始所示);其次,也是更显而易见的一个问题:法律通过了就能消除人心中的种族歧视吗(试想一下曾经被你瞧不起的商品突然和你有一样的权利)?
另一方面,自奴隶制废除后,种族问题显得越发复杂。奴隶们被解放了,但他们没有经济基础(在佃农和城市化中继续被剥削)或政治基础(限制投票和参选的手段多的是,于是非裔难被选上,就算被选上,他/她有多大程度不受白人政治影响?)。于是在平权运动的发展过程中,人们越发认识到种族与经济和政治息息相关;歧视并不止表现在奴隶主打奴隶上,还表现在政策、就业和住房分配等的各个方面;这些复杂的关系使得种族歧视者能够打着其他的旗号(如貌似客观的统计数据)、通过貌似不分肤色的机构手段来实现(如“管理高犯罪率或低收入的社群”),并能轻易否认“种族主义者”的身份;另一方面,政府在让社区增权益能、受教育和就业等方面则是敷衍了事,官僚体制更让其效果大打折扣甚至起反作用,同时还紧抓着个别成功的例子宣称美国已进入“后种族时代”。在这样复杂的局面下要再谈论种族问题,进步社团只能冒着被贴“种族主义者”的标签来大喊“黑人生命很重要”了,又或者像费格森示威者那样通过简单直接的方法来凸显种族和经济之间的关系,又或者在主流政治内艰难地反对着投票者身份证法案(又一限制投票的手段,Wiki: http://en.wikipedia.org/wiki/Voter_ID_laws_in_the_United_States )。当种族涉及到美国的政治和经济基础问题时,“黑”与“白”便不仅仅是肤色区别了。
上述的大多数内容在美国主流文化输出中可能甚少被提及,于是我们只看到被“净化”过的马丁·路德·金在步出塞尔玛时的伟岸身影,并觉得那一刻正是所谓“美国德谟克拉西优越性”的重要体现,而难以察觉该逻辑的荒谬,更别提其背后的复杂历史和社会背景了。
可惜的是,《塞尔玛》也正是美国主流文化输出的一个商品。它有着大片厂的投资和发行,制作精良,内容上走着好莱坞文艺片简单的煽情和二元对立,虽尝试表现金的人格弱点以及联邦政府的暧昧态度,但中规中矩的戏剧套路让其丧失了批判力度和联系古今的机会,成为又一部“通过诉说历史让历史成为过去”的电影。当然,在好莱坞越来越保守的今天,让一部主流叙事片去直接质疑和批判其国家的政治和经济基础并煽动普通民众走上街头未免要求过高,毕竟它要保证不引起争端,从而顺利制作、发行和提名小金人。从这方面看,如果美国的终极意识形态是资本主义的话,那《塞尔玛》还真算是一部“主旋律电影”。
(写于“塞尔玛血腥星期天”五十周年)

注:本文无意就马丁·路德·金本人或其1963年华盛顿游行的演说(还有所有其他演说)作任何结论或猜测,更没有试图贬低其演说中的任何信息。

附1:
The selection of facts from the past involves an interpretation, a sense of priorities, a sense of values as to what matters. History can be a very strong weapon for people who wish to construct a certain movement in a certain direction. - Arthur Schlesinger, Jr.

附2:

And we are not wrong; we are not wrong in what we are doing. (Well) If we are wrong, the Supreme Court of this nation is wrong. (Yes sir) [applause] If we are wrong, the Constitution of the United States is wrong. (Yes) [applause] If we are wrong, God Almighty is wrong. (That's right) [applause] If we are wrong, Jesus of Nazareth was merely a utopian dreamer that never came down to Earth. (Yes) [applause] If we are wrong, justice is a lie (Yes), love has no meaning. [applause] And we are determined here in Montgomery to work and fight until justice runs down like water (Yes), [applause] and righteousness like a mighty stream. (12/05/1955)

You have a dual citizenry. You live both in time and eternity; both in heaven and earth. Therefore, your ultimate allegiance is not to the government, not to the state, not to nation, not to any man-made institution. The Christian owes his ultimate allegiance to God, and if any earthly institution conflicts with God's will it is your Christian duty to take a stand against it. You must never allow the transitory evanescent demands of man-made institutions to take precedence over the eternal demands of the Almighty God. (11/04/1956)

First, there is need for strong, aggressive leadership from the federal government. So far, only the judicial branch of the government has evinced this quality of leadership. If the executive and legislative branches of the government were as concerned about the protection of our citizenship rights as the federal courts have been, then the transition from a segregated to an integrated society would be infinitely smoother. But we so often look to Washington in vain for this concern. In the midst of the tragic breakdown of law and order, the executive branch of the government is all too silent and apathetic. In the midst of the desperate need for civil rights legislation, the legislative branch of the government is all too stagnant and hypocritical. (05/17/1957)

Democracy is the greatest form of government to my mind that man has ever conceived, but the weakness is that we have never touched it. Isn’t it true that we have often taken necessities from the masses to give luxuries to the classes? Isn’t it true that we have often in our democracy trampled over individuals and races with the iron feet of oppression? Isn’t it true that through our Western powers we have perpetuated colonialism and imperialism? And all of these things must be taken under consideration as we look at Russia. We must face the fact that the rhythmic beat of the deep rumblings of discontent from Asia and Africa is at bottom a revolt against the imperialism and colonialism perpetuated by Western civilization all these many years. The success of communism in the world today is due to the failure of democracy to live up to the noble ideals and principles inherent in its system. (11/17/1957)

You express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern. Since we so diligently urge people to obey the Supreme Court's decision of 1954 outlawing segregation in the public schools, at first glance it may seem rather paradoxical for us consciously to break laws. One may well ask: "How can you advocate breaking some laws and obeying others?" The answer lies in the fact that there are two types of laws: just and unjust. I would be the first to advocate obeying just laws. One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws. I would agree with St. Augustine that "an unjust law is no law at all." (04/16/1963)

It is a sad fact that because of comfort, complacency, a morbid fear of communism, and our proneness to adjust to injustice, the Western nations that initiated so much of the revolutionary spirit of the modern world have now become the arch antirevolutionaries. This has driven many to feel that only Marxism has a revolutionary spirit. Therefore, communism is a judgment against our failure to make democracy real and follow through on the revolutions that we initiated. Our only hope today lies in our ability to recapture the revolutionary spirit and go out into a sometimes hostile world declaring eternal hostility to poverty, racism, and militarism. With this powerful commitment we shall boldly challenge the status quo and unjust mores, and thereby speed the day when "every valley shall be exalted, and every mountain and hill shall be made low, and the crooked shall be made straight, and the rough places plain." (04/04/1967)

When the Constitution was written, a strange formula to determine taxes and representation declared that the Negro was sixty percent of a person. Today another curious formula seems to declare he is fifty percent of a person. Of the good things in life, the Negro has approximately one half those of whites. Of the bad things of life, he has twice those of whites. Thus, half of all Negroes live in substandard housing. And Negroes have half the income of whites. When we turn to the negative experiences of life, the Negro has a double share: There are twice as many unemployed; the rate of infant mortality among Negroes is double that of whites; and there are twice as many Negroes dying in Vietnam as whites in proportion to their size in the population. (08/16/1967)

In 1863 the Negro was told that he was free as a result of the Emancipation Proclamation being signed by Abraham Lincoln. But he was not given any land to make that freedom meaningful. It was something like keeping a person in prison for a number of years and suddenly discovering that that person is not guilty of the crime for which he was convicted. And you just go up to him and say, "Now you are free," but you don’t give him any bus fare to get to town. You don’t give him any money to get some clothes to put on his back or to get on his feet again in life. Every court of jurisprudence would rise up against this, and yet this is the very thing that our nation did to the black man. It simply said, "You’re free," and it left him there penniless, illiterate, not knowing what to do. And the irony of it all is that at the same time the nation failed to do anything for the black man, though an act of Congress was giving away millions of acres of land in the West and the Midwest. Which meant that it was willing to undergird its white peasants from Europe with an economic floor. (03/31/1968)

当然,还有我最喜欢的一句:Injustice anywhere is a threat to justice everywhere. (04/16/1963)

关于华盛顿游行的另一个观点:

It’s just like when you’ve got some coffee that’s too black, which means it’s too strong. What you do? You integrate it with cream; you make it weak. If you pour too much cream in, you won’t even know you ever had coffee. It used to be hot, it becomes cool. It used to be strong, it becomes weak. It used to wake you up, now it’ll put you to sleep. This is what they (民权领袖们) did with the march on Washington. They joined it. They didn’t integrate it; they infiltrated it. They joined it, became a part of it, took it over. And as they took it over, it lost its militancy. They ceased to be angry. They ceased to be hot. They ceased to be uncompromising. Why, it even ceased to be a march. It became a picnic, a circus. Nothing but a circus, with clowns and all. You had one right here in Detroit — I saw it on television — with clowns leading it, white clowns and black clowns. I know you don’t like what I’m saying, but I’m going to tell you anyway. ’Cause I can prove what I’m saying. If you think I’m telling you wrong, you bring me Martin Luther King and A. Philip Randolph and James Farmer and those other three, and see if they’ll deny it over a microphone.

No, it was a sellout. It was a takeover. When James Baldwin came in from Paris, they wouldn’t let him talk, ’cause they couldn’t make him go by the script. Burt Lancaster read the speech that Baldwin was supposed to make; they wouldn’t let Baldwin get up there, ’cause they know Baldwin’s liable to say anything. They controlled it so tight — they told those Negroes what time to hit town, how to come, where to stop, what signs to carry, what song to sing, what speech they could make, and what speech they couldn’t make; and then told them to get out town by sundown. And everyone of those Toms (汤姆叔叔)was out of town by sundown. Now I know you don’t like my saying this. But I can back it up. It was a circus, a performance that beat anything Hollywood could ever do, the performance of the year. Reuther and those other three devils should get a Academy Award for the best actors ’cause they acted like they really loved Negroes and fooled a whole lot of Negroes. And the six Negro leaders should get an award too, for the best supporting cast. (Malcolm X on March on Washington for Jobs and Freedom, 11/10/1963. Malcolm X的思想在人生最后一年发生重大变化,故决不能就上述摘录而归纳其对民权运动的看法,就像不能用金的一篇演说来总结金一样)

再次强调:本文无意就马丁·路德·金本人或其1963年华盛顿游行的演说(还有所有其他演说)作任何结论或猜测,更没有试图贬低其演说中的任何信息。

 3 ) Response to Selma

Response to Selma

          Last week, I went to see the movie Selma in the theater. The reason I went to watch this movie is not because I wanted to watch it, but because I needed to get the extra credit for my EWRT 2 English class. Before I went to the theater, I watched the trailer of this movie, so I basically knew that this movie was about Martin Luther King, Jr. I only knew a little bit about Martin Luther King, Jr., who was the leader in the African-American Civil Rights Movement and delivered his famous “I have a Dream” speech. I guessed that the movie might be about what happened before and after Martin Luther King, Jr.’s famous speech. After watching the movie, I was surprised because this movie talked more about the speech, and it made me feel touched since it talked about the conflicts, struggles, and feelings of people. I think Selma is an amazing and meaningful movie to watch because of its story, actors, and emotion.
          The story of this movie talked about how African American people fought for their voting right and freedom by expressing conflicts between different positions of people and feelings of them, so I think this movie is a meaningful movie. In the movie, it basically talked about how Martin Luther King, Jr. appealed to Congress to pass the bill in order to protect the voting right of African American people. Besides, the movie showed a few main characters of the movement in the past, such as, Martin Luther King, Jr., his wife, the thirty-sixth president of the United States, Lyndon B. Johnson, and the governor of Alabama, George Wallace, etc. There were scenes that were showing speeches, demonstrations, and the brutal repressions of police. In addition, there were political conflicts between many different groups of people, such as Martin Luther King, Jr.’s non-violent movement, leaders of students, the President Lyndon B. Johnson’s white house, Alabama’s governor George Wallace, and the police of Selma. Since this movie talks about African Americans fought for their freedom and the right to vote, which is an important political history to Americans; also, people should watch this movie and learn more about Martin Luther King, Jr. and his movement.
          Selma not only has a good story, but also has a group of amazing actors who tried their best to successfully act their characters. David Oyelowo is the actor who played the role of Martin Luther King, Jr. I do not know how the real Martin Luther King, Jr. looks like. Even though Oyelowo did not particularly copy Martin Luther King, Jr., the way that he gave out the speech had the feeling and momentum of the real Martin Luther King, Jr. Also, Oyelowo really focused on some small details of Martin Luther King, Jr., which made me feel like that Oyelowo was exactly the Martin Luther King, Jr. in the movie. Moreover, Tim Roth played the role of the governor of Alabama, George Wallace. Also, Roth played this character successfully, and some words that he said make me laugh. Besides, the version of Tom Wilkinson’s President Lyndon B. Johnson is very good (“Selma (2014) Full Cast & Crew”). In the movie, President Lyndon B. Johnson became one of resistance of the bill advancing because the movie showed that the right to vote was not his primary political issues and goals, and he thought that Martin Luther King, Jr.’s movement hindered his agenda. However, he started to support what Martin Luther King, Jr. did and said after hearing the criticism and encouragement from Martin Luther King, Jr. In my opinion, Wilkinson did a great job of playing his version of President Lyndon B. Johnson. I think the President actually wanted to pass the legislation, but he did not have enough power to do it, and Martin Luther King, Jr. gave him the power or enlarged his power to pass the bill. Furthermore, there were a lot of powerful supporting actors, such as the film producer Oprah played a supporting character who wanted to vote, but could not vote in the movie. Also, Cuba Gooding Jr. acted a lawyer who only showed up twice in the movie. Even though there are many famous actors who played supporting characters in the movie, I think they did a good job to expressing each character’s emotions, and I respect them. Therefore, this movie Selma has a group of powerful and famous actors, and they all did a good job to perform in this movie.
          The movie Selma is an amazing movie, and it made a lot of people feel touched. When I went into the theater, there were a lot of African Americans and a few white people, and there were some Asian people like me. I could not pay my attention at the beginning of the movie because an African American little girl who sat in the front row kept laughing. When Tim Roth showed up at the scene, she laughed even harder than before. I did not know this girl, and I had no idea what she laughed about. Suddenly, I heard an old man walked up to her and said to the little girl, “Little girl, you better be quiet. I have been waiting this movie for many years.” I could feel how much the old man cared about this movie, and I knew that he really wanted to watch this movie carefully and intently. Also, I was glad that the little girl did not laugh again, so I could pay my attention on the movie. After two and a half hours, the movie ended with John Legend’s new song Glory, which was a nice song because I think this song helped me understand the feelings of the movie better. Suddenly, I saw the old man stood up, and he said out loud, “Remember Michael Brown, Remember Eric Garner. Our parade is not over yet.” I did not know this old man, and I did not really pay attention to what he said about. I thought this movie encouraged him something. Later, I did some research about what the old man said, and I found out that the two names that he mentioned were two African Americans who were dead because of some unfair reasons. Therefore, this movie made people sympathy because some people knew the feeling of inequality of people of color; also, I am an Asian, and some white people have treated me unfairly or looked down at me.
          This amazing movie not only made people touched, but also made me sympathy. In fact, I cried and laughed while I was watching the movie. Sometimes, there were funny scenes and dialogues that made me laugh right after some scenes made me cried. The reason I became sympathy about this movie is not only because of its powerful speech and memorable scenes, but also because I could directly feel the sadness, fear, anger, or determinations of the characters in the movie. I could see the struggles of how people fought for their freedom and equality and the feeling of how they really wanted the right to vote and freedom. Each actor put lots of emotions and effort to perform the characters, and each staff who worked behind the scenes tried their best to produce an amazing movie. Also, the background music helped me a lot to understand the feelings of the scenes. Therefore, staffs and actors put a lot of efforts into the movie, and they produced a wonderful movie that truly expresses the emotions of each character in the movie., which made me touched.
          From my point of view, I think people should go to watch this movie Selma because of its story, a group of powerful actors who accomplished their tasks on performing each character, and a group of staffs who put many efforts into the movie. This movie talked about an important political history that Martin Luther King, Jr. led a group of people to fight for the right to vote and freedom of African American. Also, there were a lot of powerful and famous actors who played main or supporting characters in the movie, and all of them perfectly accomplished their jobs to express each character’s feeling. Furthermore, staffs behind the scenes put music, set up the scenes, and edited the movie in order to make the movie powerful and emotional. Therefore, I think this movie is a very meaningful movie, and we should produce more movies like Selma.


Work Cited
“Selma (2014) Full Cast & Crew” Imdb. IMDb.com, Inc., 2014. Web. 14 March 2015.

 4 ) 从黑人没有选举权到黑人当了总统

说点电影以外的一点个人感受:

1, 马丁实在是一个出色的演讲家,他的演讲非常具有鼓动性,他天生就是一个演讲家和活动家!立志提高自己演讲能力的同学,不可不参考马丁啊。尽管马丁不是一个完美的人,野史总被人勾出来说,但我依然觉得他很伟大。因为作为民权活动家,本身就冒着巨大的风险,但是他有勇气,不畏强权,而且坚持下去。对一个人指指点点很容易,但做到他这份上,我敢说没多少人会这样。

2,南北战争打破了贩卖奴隶的习俗,而马丁的民权运动才真正free the black。美国能够从当黑人作猪狗一样(见《为奴十二载》),到现在黑人能当总统,真是了不起。没错,现代美国还是有对黑人的歧视(何止是黑人,还有其他肤色人种),但是一个国家能够有如此飞跃进步,不容易!看看别的国家能不能让有色人种当总统?让我感动的,是黑人们选择非暴力的方式,如同甘地提倡的一样(见《甘地传》),看上起很weak,但最终战胜邪恶的,却是非暴力。这让我想到伦茨的中篇小说《灯塔船》,为什么船长坚持非暴力对抗罪恶。

3,游行。游行的背后有多少准备和力量的较量,有多少鲜血铺路啊。游行能够聚集人的力量,能够感化更多的人,从甘地到马丁,都意识到这个力量。这也许是为什么我朝极力压制不让人们三五成群了。虽然不同国家不可比,但内心默默觉得在我朝事件死掉的人悲哀。人们努力了,却依然无法撼动民主自由的巨轮。

 5 ) Racial discrimination

In fact, after I saw the film, I didn't know what it was talking about. I don't have so much knowledge of Western history, but even so, I can understand that this is racial discrimination. For the first time, I learned that racial discrimination because my teather told me to see the movie call the Green Paper, and I burst into tears several times. For the doctor and for his countrymen.Such a thing is unfair to them who live in the same land. That's why I hope more people can see this movie. To know the black's pain and courage.Try our best to maje them feel warm.I promiss that Racial discrimination won't happen in china.

 6 ) 不瘟不火

总是把马丁路德跟马丁路德金搞混了,为了加深自己对这个美国著名民权人士的印象,很高兴的看了他的自传式电影。有关美国黑人人权的电影也很多了,在这里也要提到一个人马克西姆X,也在本片中露脸。关于马克西姆也有一部自传式电影《黑潮》,原名就叫马克西姆X。马丁路德金是个温和派的领导者,虽然他们俩被暗杀的命运是一样的,但是我觉得马丁路德金是正确的。仇恨和冲突并不能让彼此的关系变得更好,就像今日缺乏马丁路德金这种领袖的美国,也依然不断爆发出种族矛盾的骚乱。在这里更要提到一部电影《美国X档案》爱德华诺顿主演的,就是对仇恨所产生的原因进行了反省,就是因为白人和黑人之间没有真正的和解。

 短评

很不错了呢

7分钟前
  • 一颗栗子
  • 推荐

每一次游行都描绘得非常安静,却透露出决心之大的壮烈。82岁的老头看着如何叫人不心酸。King的演讲爆发着力量,配上黑人的音乐,足够的冲击。

8分钟前
  • 半城风月
  • 推荐

众星捧月... 政治任务很重,黑人演员们都是在呕心沥血的演啊... 林登·约翰逊对内的政绩不错,就是越战搞得很失败。这部片也顺便把他吹捧了一遍。4星

13分钟前
  • bugz
  • 推荐

恕我直言,跟豆瓣的“主旋律”——但凡涉及与强权作斗争及民权运动的题材(比如韩国民主运动、女权运动、同性恋平权运动、去年的《华盛顿邮报》)就普遍过誉的情形相比,本片不仅分数低于IMDb还被不少人污名化为“政治正确”,这背后隐含的,是某些国人对黑人族群莫名其妙又根深蒂固的偏见与歧视。

16分钟前
  • 私享史
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重现65年马丁路德金的“塞尔玛游行”,几十英里的路,真的由他们的鲜血铺成... 虽然为了突出King的伟人特质,其他的政客都被或多或少地脸谱化了(尤其总统林顿约翰逊),但看见那么多真实的人在为了自己的宪法权利不惜流血牺牲,实在感动!如果说这也是“主旋律”,那我愿意看更多这种的

18分钟前
  • 米粒
  • 推荐

这种叫做正确,不叫政治正确

19分钟前
  • The 星星
  • 推荐

在美国的电影院的观影结束后 我经历了人生中全体观众为一部电影掌声雷动 我是个愚昧的观众 不关心所谓的政治正确奥斯卡脸谱化 我只知道五十年后的今天 我可以和白人黑人共同在同一个舒适的电影院看到这部电影 这就是金博士和当时所有有良知的美国人的胜利

22分钟前
  • 克里斯托空
  • 推荐

出得太是时候了

27分钟前
  • lusinthesky
  • 力荐

非常四平八稳,但对于塞尔玛游行细致而尽量克制的刻画仍有着极为动人的力量。虽说是主旋律政治正确,但比预期要好。

29分钟前
  • mOco
  • 推荐

喜欢它的摄影和配乐 主人公精彩的演绎使得主旋律更加深入人心 更有震慑力和感染力

31分钟前
  • 不侠与
  • 推荐

每年金球奥斯卡都有这种主旋律八股文电影入选,当然也拍得不错,但按部就班四平八稳的没什么特色。很多地方看得犯困。电影尽量煽情,马丁自己在上面讲得热血沸腾,唾沫横飞的,但我希望更多地通过电影细节呈现,而不是煽情那些freedom民主people之类的演讲口号,否则真是看得厌倦了。最后的歌曲Glor

34分钟前
  • 葱油饼
  • 还行

马丁路德金坚持的是黑人和白人之间的和平,他也不讨厌白人,而本片充斥着敌对,把白人都刻画成恶,我觉得这是不对的。加上,这整部电影,从表演到配乐等等都是如此的平庸,不过大卫·奥伊罗的MLK演的不错,演讲戏是唯一的看点。

35分钟前
  • TWY
  • 还行

history professor 说 lyndon johnson 其实是 pro-civil rights

40分钟前
  • Shuyang
  • 推荐

3.5. vs Lincoln-2012 、Mandela: Long Walk to Freedom-2013,过程都是比较流水账的,阵容和结尾动人。

43分钟前
  • vivi
  • 推荐

有些人天生就是演讲型人格。追求自由,永不停歇。

47分钟前
  • 倩婧箐菁靓
  • 推荐

又一曲只会抬头45度角仰望伟人的脸谱化主旋律赞歌

49分钟前
  • Bill
  • 还行

在电影院里直接Déjà vu了,实在是太套路化的民权片啊,恍恍惚惚就像看过一样。 其实美国现在的种族问题也没改观啊,看弗格森骚乱的起因,和60年代有差吗?(烂番茄98%的“政治正确”真让人反感...)

50分钟前
  • 同志亦凡人中文站
  • 还行

挺真实的

51分钟前
  • 已注销
  • 推荐

尽管全片对赛尔玛大游行的再现极其生动且感人,但仍然不能掩盖角色塑造的单薄乏力,为数不多的几个配乐场景的煽情用力过猛。三星半

56分钟前
  • 舌在足矣
  • 还行

拍得中规中矩,适合用来了解历史参照当下。“If anyone had a right to believe that this democracy did not work, and could not work, it was those Americans. Our ancestors. They were on the receiving end of a democracy that had fallen short all their lives. And yet, instead of giving up, they joined together and said somehow, some way, we are going to make this work.”

58分钟前
  • Helicopter
  • 推荐

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