阿姆斯特丹

以为是部烧脑悬疑片，万没想到，刻画的重点竟然放在了三人的情感关系上，而且黑人和女性都照顾到了，妥妥的端水大师啊。至于探案方面，整个追查过程平平无奇，不知道是否有意为之，反正凶手按耐不住自动亮相了。如此设定，真的让人怀疑反派的智商，明明在暗处看的一清二楚，却还是选择送葬。所以，慢吞吞的推进了两个多小时，作为观众，着实有点难受啊……

刚刚在影院看了阿姆斯特丹，作为一个巨星云集的商业片可以说是很古怪，中途给我看得痛苦无比，直接离席的心都有，但最后三十分钟又让一切回归正轨并make sense，甚至可以说只看最后正片三十分钟足矣，德尼罗的戏份撑起了全片。 前一个小时体验也相当平庸，我当时只感觉被预告诈骗了，因为开头总依靠画外音叙事所以对正片效果和导演能力有种不好的预感，中间果然没有眼前一亮的剪辑和叙事，片子节奏可以说是完全没有，导演好像想把所有面面俱到的小事都拍出来没有取舍，虽然说实话其实看到一个又一个大牌出现的时候还是有一种惊喜感的，但很快就被观影的坐牢感淹没（也怪我看之前没对这片做功课，但谁知道预告看起来明明很好正片是这种效果，连明星效应都无法掩盖的无聊）。等我忍到一个半小时左右仍然没有改观，那时已经如坐针毡了，但当老德出现时电影似乎就有了重心，主线也在那一刻浮出了水面，直到最后表露出了导演的真意，大概之前的冗长是某种诗意的体现。好吧只能说不会拍文艺片就拍商业点呗别拉观众受罪

这个色调像南向客厅里晒了几十年的褪色的挂画。营造了一种旧时光的惺惺相惜。

将军那几句话太有魅力了：I fight 5 wars over 3 continents, people shot at me my whole life. I know fear and I know facing fear. But the one thing I truly detest, is cruelty. …the type of leader, who run over a child and never stopped his car. The type of leader whose excuse was, what’s one person in the affairs of the state? …when Mikeens was about to tell that story in this stage, he became another person whose life was worth nothing in the affirs of the state. He was murdered and dishornored. As I might be murdered and dishonored for telling that story here tonight.

What kind of country dose this become when that happens?

在这个日子口，看到这个台词，格外不平静。

似乎这是给中国观众设计的电影一样，就有一个常识性问题想问问各位大佬，就是最后黑白双煞两口子，去的是哪个国家啊？按照几年之后全世界遍地烽火的状态来看，应该只有南美洲能去了吧？实在是也想不到别的地方的，那个什么什么鸟迁徙之地，也应该是美国南部，难不成是墨西哥？

Amsterdam (5/10 stars)

The Art of Cameos

Despite the film’s lavishing cast, Amsterdam is simply a celebrity-busted, all-about-appearance, advocating-love-in-center-of-corruption piece of work.

Though with accomplished actors and actresses like Christian Bale, Margot Robbie, Robert De Niro, and Rami Malek, all characters are insufferably plain, static throughout the storyline, and are unimaginably horrendous when it comes to dialogues, which are surfeited with emotionless conveyances without the support of convincing performances. In fact, all the characters seem to have been pushed by the script to converse, react, and move along the plot.

After the insipid two acts of elaboration and foreshadowing, the movie concludes in rather decent finale, where power-hungry nazism-supporting bureaucrats collide with the angelic Margot Robbie and friends - “decent” means somewhat commendable in this film, which is equivalent to below average for other movies. Why would the talented director of Silver Linings Playbook pay a dozen of renowned actors, and employing Imax, just to produce such a flavorless result? If this was not my 100th movie review, I would’ve given Amsterdam a 4 star.

而且我觉得尾气嘲讽“为什么现在通讯录“宣传”都是穆棱，或者是这是在刻板印象通讯录啊”，就是脑子有问题，那为什么阳刚通讯录不出柜不给通讯录正明啊，难道是不想吗？阳刚通讯录为什么不敢出来“宣传”通讯录啊，而且再说了滥交同性恋里面最受欢迎的不就是阳刚骗婚同性恋吗？那我还可以说这些人污名化通讯录呢，你们不是最瞧不起穆棱了吗，果然这些同性恋和顺直一个样子，随随便便就给自己想羞辱的人身上安罪名，而且你同性恋为什么这么在意顺直觉得你们是什么样子啊？你没了顺直的眼光就不能独立性走了吗？上次尾气甚至嘲讽肛毛被催婚，估计尾气也是不会理解小县城同性恋的处境的，尾气一副小资的吊样，看不起谁呢，尾气一遍天天对着交姐的歌说少女幻想一边一个晚上和三四个男人做爱，还倒打一耙是你们这些边缘群体，底层通讯录，努力靠近顺直做所谓的“正常人”，结果换了男同死一死🤭